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dc.contributor.authorGreer, Amanda
dc.date.accessioned2016-04-05T19:32:15Z
dc.date.available2016-04-05T19:32:15Z
dc.date.issued2014
dc.identifier.isbn9781321263008
dc.identifier.other1625771899
dc.identifier.urihttp://hdl.handle.net/10477/50823
dc.description.abstractThis thesis examines postmodern literature's experimentation with figures of absence, specifically as it pertains to texts that draw upon the tropes of detective fiction. In order to elaborate upon the various roles that absence plays in what I am calling the anti-detective story, I closely examine the following three novels: Georges Perec's A Void (La Disparition) , Shelley Jackson's Half Life , and Mark Danielewski's House of Leaves . By applying the ideas of postmodern thinkers such as Jacques Derrida and Martin Heidegger to these texts, I highlight a common affirmation of linguistic and narrative play that stems out of the use of structured absences. Anti-detective texts follow a metaphysical investigation whose final conclusions resist singular interpretation. As a consequence, each text abandons the hope for a definitive conclusion and instead affirms the ability of the narrative and linguistic play that results from absence to keep the text open to multiple readings and interpretations.
dc.languageEnglish
dc.sourceDissertations & Theses @ SUNY Buffalo,ProQuest Dissertations & Theses Global
dc.subjectLanguage, literature and linguistics
dc.subjectAbsence
dc.subjectDanielewski, Mark
dc.subjectDetective fiction
dc.subjectJackson, Shelley
dc.subjectPerec, Georges
dc.subjectPostmodernism
dc.titleAbsence in postmodern literature
dc.typeDissertation/Thesis


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